Kedela wer kalyakoorl ngalak Wadjak boodjak yaak.

Today and always, we stand on the traditional land of the Whadjuk Noongar people.

The View From Here

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Tarryn Gill’s towering “Limber” sculptures return our gaze

The soft and expanding hand-stitched bodies, complete with eyes in unsuspecting places, protest the objectification that has made the feminine feel powerless.

Bahar Sayed

A collection of giant, colourful musclebound figures occupy AGWA’s newest gallery space in Tim Meakins’ “Muscle Beach”

Simon Webster

Collective Ground: Grounding Effects

Neha Kale

In the first exhibition of its kind, 100 Vandals celebrates the role of graffiti in Western Australian culture

Ian Strange

Yeahnahnesia: The imaginary world of artists Yok and Sheryo

Tristen Harwood

Wade Taylor & Joanna Lamb: Symbols of suburbia

Kelly Fliedner

In AGWA’s screen space, a 10-year survey of Erin Coates’ diverse filmic work

Laetitia Wilson

Jack Ball’s photographic and collage work playfully explores queer identity

Max Vos

Fiona Harman studies suburbia in her evocative small-scale oil paintings

Emma Pegrum

Sandra Hill’s paintings are stories of survival

Tristen Harwood

Rodney Glick: Everyone, Everyday

Stephen Bevis

Amanda Bell’s bright pink neon “Moorditj” tells stories of past, present and future

Melissa McGrath

Kate McMillan attends to forgotten histories, bringing fresh insight and urgency to the present

Emma Pegrum

The eclectic world of John Prince Siddon

Jacqueline Wright

Saleheh Gholami: Unconscious Ways

Belinda Hermawan

Abdul-Rahman Abdullah: Throne Room

Louella Hayes

Sarah Bahbah uses art to tell her story

Emma Pegrum

Brian Blanchflower and Michele Theunissen are masters in dialogue

Anne-Louise Willoughby

Danielle Freakley speaks up and out

Anne-Louise Willoughby

An artist with an opinion: Abdul Abdullah is in his element

Simon Webster

Meet the duo behind artistic collective “IXIII”

Sisonke Msimang

Ngarralja Tommy May: Rain Meditation

Emilia Galatis

Christopher Pease’s new light-based artwork on AGWA’s rooftop is a bold reclamation of unceded Country

Claire G. Coleman

34 Adidas-clad, technicolour cats roam through AGWA in Bruno Booth’s latest work

Rosamund Brennan

The deceptive simplicity of painter Holly Yoshida

Yoshika Kon

Eveline Kotai: Looking Out/Back/In

Sam Fox