Read 34 Adidas-clad, technicolour cats roam through AGWA in Bruno Booth’s latest work Find the felines stretching and slinking around the Gallery, playfully probing at the (in)accessibility of public space. Rosamund Brennan A collection of giant, colourful musclebound figures occupy AGWA’s newest gallery space in Tim Meakins’ “Muscle Beach” Simon Webster Collective Ground: Grounding Effects Neha Kale In the first exhibition of its kind, 100 Vandals celebrates the role of graffiti in Western Australian culture Ian Strange Yeahnahnesia: The imaginary world of artists Yok and Sheryo Tristen Harwood Wade Taylor & Joanna Lamb: Symbols of suburbia Kelly Fliedner In AGWA’s screen space, a 10-year survey of Erin Coates’ diverse filmic work Laetitia Wilson Tarryn Gill’s towering “Limber” sculptures return our gaze Bahar Sayed Jack Ball’s photographic and collage work playfully explores queer identity Max Vos Fiona Harman studies suburbia in her evocative small-scale oil paintings Emma Pegrum Sandra Hill’s paintings are stories of survival Tristen Harwood Rodney Glick: Everyone, Everyday Stephen Bevis Amanda Bell’s bright pink neon “Moorditj” tells stories of past, present and future Melissa McGrath Kate McMillan attends to forgotten histories, bringing fresh insight and urgency to the present Emma Pegrum The eclectic world of John Prince Siddon Jacqueline Wright Saleheh Gholami: Unconscious Ways Belinda Hermawan Abdul-Rahman Abdullah: Throne Room Louella Hayes Sarah Bahbah uses art to tell her story Emma Pegrum Brian Blanchflower and Michele Theunissen are masters in dialogue Anne-Louise Willoughby Danielle Freakley speaks up and out Anne-Louise Willoughby An artist with an opinion: Abdul Abdullah is in his element Simon Webster Meet the duo behind artistic collective “IXIII” Sisonke Msimang Ngarralja Tommy May: Rain Meditation Emilia Galatis Christopher Pease’s new light-based artwork on AGWA’s rooftop is a bold reclamation of unceded Country Claire G. Coleman The deceptive simplicity of painter Holly Yoshida Yoshika Kon Eveline Kotai: Looking Out/Back/In Sam Fox
